NGaugeJames wrote:...Can you give us a run down of just what you do to weather your stock? That Freightliner 57 looks great and I've never gone near the process of weathering before!
First up a couple of caveats, I'm still experimenting with weathering (no two items have been done the same!) and none of the techniques are my own. All the ideas and techniques I have used have been "adopted" after reading tons of stuff on the net. If you search around on RMweb you will find a ton of threads on the subject and some truly exquisite examples of the art. There are also a number of websites, especially to do with wargaming and dioramas, where techniques and materials are explained. Having said all that I will describe the steps I used in weathering the 57 which was all done in one go taking an hour or two one evening. I used some acrylic paint (white, dark umber) and Tamiya weathering materials.
First up and probably the most important single step is to fade the paintwork. Railway stock lives outside in sunlight and almost all paintwork fades. There are lots of ways of achieving this but in my case I used white acrylic paint, just a small blob thinned with lots of water and a miniscule amount of washing up liquid. The paint is thinned till you think it will probably not leave any colour at all. The washing up liquid makes it stick. If you use diluted acrylic (even undiluted) on plastic it tends to run off or glob together rather than spreading out and adhering to the surface.
I painted with a small brush, or rather sloshed, this dilute white mixture over the whole of the body of the loco. After a few minutes, just before it was dry I dabbed it with some kitchen towel to remove any spots of paint that had accumulated and would end up looking white. Afte this you will be hard pushed to spot a difference! So, do it again.

After a couple of washes you will end up with something that looks slightly faded.
Now I mixed a bit of dark brown and possibly black into the diluted white mixture and slosh it all over the underframe and bogeys. Again I mopped up any overly large accumulations of paint with kitchen towel. The 2nd rule of weathering, it's as much the paint you take off as the paint you put on. Again this step can be repeated until you get a matt grubby looking underframe. With the 2nd and subsequent washes I also started to add some of this faded grime on to the lower parts of the body sides.
I missed a step on the 57 that I think would have improved it. At this stage I should have made the wash more black and run it into a few of the grill and major bodywork grooves to accentuate the detail. Doh! Next time.
At this stage I had a faded and slightly grubby looking loco. At this point I added some sooty black gunk around the place. On the 57 I used Tamiya weathering materials that look a bit like cakes of makeup in a compact and are applied with a sponge thing or a very fine brush. I have also previously used black acrylic and artists pastels powdered by rubbing them with sandpaper. So I added a generous amount of black stuff on the roof starting around the exhaust ports and working outward progressively. If you think about it this is how it builds up on the prototype. Start around the exhaust and work out going over and over the area more and more times expanding the are as you go. You are simulating the effects of years of build up. Make sure you get black in all the nooks and crannies.
After the roof looks suitable messy add a few very light streaks down the side. If you look at prototype photos you will see that rainwater often runs in particular areas on locos and drags the black muck down with it. Don't over do this otherwise it will look naff!
I then did a similar trick of dabbing and smudging mud coloured weathering materials around the underframe, bogeys and lower body sides. Again I could have used weathering powders or ground up artists pastels. As a final touch I added some silver weathering powdery stuff on some of edges of the steps to the cab.
In my case the weathering materials and acrylics are fairly resilient and I may want to do some more work but if you have used weathering powders or artists pastels now is probably the time to give the whole thing a spray over with matt varnish to seal it all.
Again I stress I am no expert and none of the above are my original techniques, they have all been borrowed from more knowledgeable folks. Look at prototype photos and play with the techniques others have described more accurately than I. If you use acrylics you can largely wash off your mistakes. At the very worst you may just have to learn how to do a complete respray.

Cheers
Dave